In this perennial rat race that is life, there is the rare occasion when the inner voice asks some probing questions: "Who am I?" "What is my purpose?" The signs are everywhere; the universe is speaking, but humanity expertly drowns out these nudges. In Land's work, the illusion of fear and doubt gives way to an understanding of the boundless divinity within us.

The work centers around Gabe, a teenager who escapes numerous harrowing, near-death situations and later meets a guide, Elias, who introduces him to the teachings of cosmic teachers, such as Jesus. What ensues is a thirst for more, a desire to peel back layer after layer and understand the full capacity of one's existence. Through this vignette, existential questions simmer to the surface fervently. From a deeper understanding of the soul's infinite nature to the entities shaped by fear that prey on unhealed patterns in order to, as Land aptly states, "create friction," the work explores the idea of believing in that which is not experienced by the material senses.

Using the metaphor of life as a game, Elias imparts growth wisdom to Gabe, dissecting themes like cheating as a temporary but unsustainable advantage that creates a cosmic cycle of karma, which inevitably finds its way back. More importantly, the notion that we are the soul, and the likelihood that our soul chooses our circumstances, is incredibly potent, echoing sentiments from ancient scriptures like the Vedas. Interestingly, the structure of the "game" provides Elias with a pathway to describe life's elements and convey them to Gabe in a way he can process. At its core, Land's work is both incredibly entertaining as a narrative and eye-opening as a growth guide, opening life's third eye to reveal the knowledge that man is far greater than his material existence

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